Sound Effects Library

Feedback

Visceral guitar feedback, hums, and buzzes recorded from multiple perspectives.

52 files · 790.49 MB · Metadata

$39

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1:13

Electric Guitar Handling Clunks 01 ST3

Musical · Instrument

1:13

Electric Guitar, Handling Clunks, Distant, Buzzy Click, Switch Crackle, Pop, Some Feedback, Amplifier Hum, Signal Break, Many Versions

Musical · Instrument

0:21

Electric Guitar Chord Strum Sustain to Feedback 01 ST1

Musical · Instrument

0:21

Electric Guitar, Chord Strum, Sustain to Feedback, Medium Distant, Whistle, Squeal, Wail, Whine, Distorted Buzz, Amplifier Hum, Crackle

Musical · Instrument

1:14

Electric Guitar Feedback Various Bursts 01 ST2

Musical · Instrument

1:14

Electric Guitar Feedback, Various Bursts, Some Short, Medium Distant, Whistle, Squeal, Wail, Whine, Vibrato, Modulation, Distorted Buzz, Amplifier Hum, Crackle

Musical · Instrument

1:18

Electric Guitar Feedback Short Bursts 01 ST1

Musical · Instrument

1:18

Electric Guitar Feedback, Short Bursts, CU, Whistle, Squeal, Wail, Whine, Distorted Buzz, Amplifier Hum, Crackle, Some Handling, Many Versions

Musical · Instrument

1:18

Electric Guitar Feedback Long Burst Delay Effect 02 ST3

Musical · Instrument

1:18

Electric Guitar Feedback, Long Burst, Delay Effect, Distant, Haunting Wail, Whine, Doubled Tone, Slow Pitch Change, Tonal Breakup, Distorted Buzz, Amplifier Hum, Crackle

Musical · Instrument

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Overview

Audio feedback is a tricky sound to get right, but multiple Oscar®-winner Richard King (Oppenheimer, Inception) went to great lengths to create this go-to library of electro-acoustic screams, growls, squeals, and more. Whether you’re looking for authentic, worldized guitar feedback for concert scenes, close-up material for sound design, or miscellaneous microphone handling noises, Feedback has the sounds you need – including multiple stereo perspectives.

The complex interplay between the amplifier, speaker, strings, pickups, and even the room itself results in a chaotic interaction that never sounds the same twice, making it notoriously hard to control and even trickier to record usable results. Rising to the challenge, King set up the ideal conditions for intense yet controllable feedback and recorded every take in stereo from multiple perspectives - accompanied by expert recordist Eric Potter performing the guitar.